Rabu, 29 Oktober 2014

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  • Published on: 1600
  • Binding: Paperback

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Selasa, 21 Oktober 2014

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El Yo Interior is a real voyage from the mind to the soul, to a "Superior Me," to our Spiritual guides, and to a new perspective for who we are when we are incarnate.

  • Sales Rank: #3916221 in Books
  • Published on: 2011-01-10
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 8.50" h x 1.00" w x 5.50" l, .50 pounds
  • Binding: Paperback
  • 170 pages

About the Author
David Topi is a multifaceted writer, developer, and life coach. Born in Barcelona, he works especially to divulge, form, and accompany people through coaching processes for personal and spiritual development, by means of lectures and healings via the Akashic Records. A tireless searcher, he has created and is interested in alternative therapies, developing our inborn spiritual abilities, and systems of personal development that allow us to express our maximum potential and obtain answers to hidden questions—sometimes, from within the depths of ourselves. He publishes articles on personal and spiritual development at his blog, davidtopi.com.

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Es un excelente libro, lleno de información y sabiduría ...
By K. I. B.
Es un excelente libro, lleno de información y sabiduría. Para aquellas personas que son espirituales y quieren seguir aprendiendo, este libro es el indicado.

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Minggu, 12 Oktober 2014

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The Economics of EC Competition Law: Concepts, Application and Measurement, by Mike Walker, Simon Bishop

This acclaimed work provides an overview of economic theory and analysis as it applies to European competition law, an area of steadily increasing importance as regulatory authorities have moved to adopt more economics-based concepts when deciding what constitutes non-competitive behaviour. It helps the practitioner address questions such as: what is meant by competition? What economic benefits is competition supposed to produce? What is meant by "effective" competition and how can it be measured? How does one define the relevant product and geographical market, and determine whether a firm or firms have individual or collective power over that market? * Clearly explains the concepts and analytical techniques that lawyers working in competition and mergers need to know * Makes a difficult subject accessible - written specifically for lawyers, explaining an unfamiliar subject in language they can understand * Looks at both economic theory and the empirical techniques employed in European competition law * Reinforces its explanations with examples drawn from Commission decisions and Court judgments

  • Sales Rank: #3412803 in Books
  • Published on: 2007-03-17
  • Original language: English
  • Dimensions: 9.17" h x 1.54" w x 6.10" l, 2.43 pounds
  • Binding: Paperback
  • 832 pages

Review
The authors are to be congratulated for providing an essential book for anyone interested in competition law and policy.... aimed not only at lawyers but also at economists and competition authority officials. Richard Whisch, Kings College, London.

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Selasa, 07 Oktober 2014

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  • Published on: 1970-01-01
  • Format: Import
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 32 pages

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Minggu, 05 Oktober 2014

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A NEW COLECTION OF STORIES FROM THE FOREFATHER OF THE JAPANESE LITERARY COMICS MOVEMENT

In Fallen Words, Yoshihiro Tatsumi takes up the oral tradition of rakugo and breathes new life into it by shifting the format from spoken word to manga. Each of the eight stories in the collection is lifted from the Edo-era Japanese storytelling form. As Tatsumi notes in the afterword, the world of rakugo, filled with mystery, emotion, revenge, hope, and, of course, love, overlaps perfectly with the world of Gekiga that he has spent the better part of his life developing.

These slice-of-life stories resonate with modern readers thanks to their comedic elements and familiarity with human idiosyncrasies. In one, a father finds his son too bookish and arranges for two workers to take the young man to a brothel on the pretext of visiting a new shrine. In another particularly beloved rakugo tale, a married man falls in love with a prostitute. When his wife finds out, she is enraged and sets a curse on the other woman. The prostitute responds by cursing the wife, and the two escalate in a spiral of voodoo doll cursing. Soon both are dead, but even death can't extinguish their jealousy.

Tatsumi's love of wordplay shines through in the telling of these whimsical stories, and yet he still offers timeless insight into human nature.

  • Sales Rank: #629411 in Books
  • Published on: 2012-05-08
  • Released on: 2012-05-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.70" h x .74" w x 6.46" l, .97 pounds
  • Binding: Paperback
  • 264 pages

From Booklist
Manga legend Tatsumi is renowned for his grim gekiga stories depicting buffeted souls struggling to survive in harsh post-WWII Japanese society. Here he’s inspired by a far earlier tradition, the performance-based oral storytelling technique of rakugo. Set in Edo-period Japan, these eight simple tales deal in archetypical situations: deadbeat guests hoodwink credulous innkeepers, a merchant tries to balance a wife and a mistress, a popular prostitute creates havoc at her brothel, a nebbish befriends and then tries to outwit the Grim Reaper, a shrewd wife teaches her spendthrift husband a lesson. The humor infusing these yarns is uncharacteristic of Tatsumi, but his fans will recognize the portrayals of ineffectual working-class men striving for a bit of pleasure. In their unstinting depiction of human foibles as well as their starkly effective visual simplicity, these tales aren’t as far from Tatsumi’s groundbreaking gekiga work as one would expect. While it lacks the dramatic impact of his best-known work, this collection attests that at 75, Tatsumi remains committed to exploring new styles within the manga format. --Gordon Flagg

Review

“One of Japan's most important visual artists.” ―The New York Times on A Drifting Life

“A Drifting Life is as involving and thorough as any prose memoir, while remaining as immediate and concise as the best comics. It is, honestly, one of the most significant works the medium has ever produced.” ―The Onion, The A.V. Club on A Drifting Life

About the Author

Born in 1935, Yoshihiro Tatsumi began writing and drawing comics for a sophisticated adult readership in a realistic style he called Gekiga. He has influenced generations of cartoonists and lives in Japan.

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9 of 10 people found the following review helpful.
"The pleasures of rakugo emerge from this universal, mutable quality"
By Rob
"Fallen Words," or rakugo, as the Japanese call them, are stories handed down throughout the generations to be molded and kindled to the ways of contemporary life. This is Tatsumi at his nicest, as he notes in the afterword saying that most gekiga of the past eschewed humor. True, this has nothing of the grief of "Hell" or "Push Man" but those looking for something lighter will find this mostly enjoyable. The little boy in "New Years Festival," the moment of art transcending mimicry in "Escape of the Sparrows," the final scene with the Reaper in "The God of Death," and a man sharing a kiss with his ex-wife's spirit through a tobacco pipe in "Fiery Spirits" are all memorable. But where's the humor? Sadly, my fat white American body and small mind are not familiar with the "rakugo" of past, so something is sort of lost between cultures. Many of the stories are thirty page build ups to one punch line, and sometimes it works, but sometimes it sits like cold sake.

Listen, the dude is a legend in comix and even the worst story here is worth your time, but expect nothing of the tragic characters or moral ennui of the past gekiga works. D&Q rarely picks a flub, and this is no different. Recommended for the initiated.

4 of 4 people found the following review helpful.
Stories to raise your spirits
By Sam Quixote
Yoshihiro Tatsumi adopts "rakugo", in Japanese meaning "fallen words", a kind of comedic fable-storytelling that was an aural tradition for many centuries in Japan. In these eight collected stories, Tatsumi's masterful storytelling is shorn of its usual tragic veil seen in books like "Good-bye" and "Abandon the Old in Tokyo", instead taking a light-hearted stance tinged with physical comedy.

The stories are all brilliant, bar none: Tatsumi sets all of them in the Edo period so the reader is treated to traditional Japanese culture set in a romanticised past, free of the Western influence of later years. They have a flavour of whimsy and fantasy about them - one involves a drunken artist paying for his bed and board by drawing some sparrows onto a screen. Once sunlight falls upon them, the sparrows come to life! In a different story, a man whose wife and mistress die after cursing one another through a voodoo-type doll, is haunted by their ghosts depicted as fiery spirits; while in another story a penniless man meets the God of Death and hatches a scheme to make money from the Grim Reaper.

The book is set out like a Japanese book so the reader has to read from right to left instead of left to right, though of course the writing is in English. It adds to overall experience of reading Japanese literature.

The aspect of the stories that I think will jar the reader are the endings which are by turns anti-climactic, bizarre, and slapsticky, as if Tatsumi ran out of space and abruptly ended each story on a strange note. This is in fact part of the "rakugo" style of storytelling where each story has comedic elements with the ending providing a punchline to the tale. The stories of "rakugo" were meant to be performed so each story had to have physical comedy as a part of them with the story changing depending on who told it. Tatsumi ambitiously converts this stylistic storytelling into comics and, while the comedy might not translate so well for a 21st century Western audience (hell, even Japanese readers might find the comedy a bit lax), this is all part of the rakugo experience.

But this is a minor complaint as the stories are so brilliantly told that I didn't care about how it ended but how he got there. Tatsumi started writing comics in his teens and is now in his late 70s - the man understands comics so indelibly that reading him is an absolute joy. He understands how to set out a story and tell it perfectly with the right amount of panels - he is a true master of the art and reading "Fallen Words" reminded me once again how much I enjoy reading his comics, as well as reminding me why I love comics in the first place. It's an art form unlike any other and when it's done well, it's the best thing in the world.

While this isn't Tatsumi's best work - read "A Drifting Life" for that - for readers who want to sample his work without perhaps the darker tones of his more well-known books "The Push Man" and the two I mentioned at the start, "Fallen Words" is a fine place to begin. As a long-time fan of his work, I loved all eight strange tales of historical Japan and it's collection of con artists, geishas, ghosts, and artists with themes of death, life, fun, silliness, and love.

And now, I leave you in the capable hands of the next story...

0 of 0 people found the following review helpful.
A little too predictable ...
By Echezona Udeze
Tatsumi's A Drifting Life was brilliant ... astounding ... but the stories here fail to either entertain or enlighten me ... I believe he is talented but needs to try something maybe a bit different ...

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[J576.Ebook] Free PDF Post-Intellectualism and the Decline of Democracy: The Failure of Reason and Responsibility in the Twentieth Century, by Donald N. Wood

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Post-Intellectualism and the Decline of Democracy: The Failure of Reason and Responsibility in the Twentieth Century, by Donald N. Wood

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Post-Intellectualism and the Decline of Democracy: The Failure of Reason and Responsibility in the Twentieth Century, by Donald N. Wood

Our society's institutional infrastructures―our democratic political system, economic structures, legal practices, and educational establishment―were all created as intellectual outgrowths of the Enlightenment. All our cultural institutions are based on the intellectual idea that an enlightened citizenry could govern its affairs with reason and responsibility. In the late 20th century, however, we are witnessing the disintegration of much of our cultural heritage. Wood argues that this is due to our evolution into a ^Upost-intellectual society^R―a society characterized by a loss of critical thinking, the substitution of information for knowledge, mediated reality, increasing illiteracy, loss of privacy, specialization, psychological isolation, hyper-urbanization, moral anarchy, and political debilitation. These post-intellectual realities are all triggered by three underlying determinants: the failure of linear growth and expansion to sustain our economic system; the runaway information overload; and technological determinism. Wood presents a new and innovative social theory, challenging readers to analyze all our post-intellectual cultural malaise in terms of these three fundamental determinants.

  • Sales Rank: #268925 in Books
  • Brand: Brand: Praeger
  • Published on: 1996-08-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .67" w x 6.14" l, 1.07 pounds
  • Binding: Paperback
  • 320 pages
Features
  • Used Book in Good Condition

Review
"Provocative social-cultural theory; jeremiad; prophecy of an already arrived technocratic dystopia. This book by a senior media scholar is all these. The human condition has evolved from a cyclical oral tradition to a linear culture of written intellectualism, but events of the last 35 years indicate descent into a Web culture of postintellectualism in which electronic media are central. Wood sees postintellectualism as the fruit of deliberate counterintellectualism and distended intellectualism, the 'irresponsible, unbridled, linear extension of intellectual endeavors without consideration of ultimate consequences'....much of what he writes is important, compelling, irrefutable. Recommended for academic readers, entering students through faculty."-Choice

?Provocative social-cultural theory; jeremiad; prophecy of an already arrived technocratic dystopia. This book by a senior media scholar is all these. The human condition has evolved from a cyclical oral tradition to a linear culture of written intellectualism, but events of the last 35 years indicate descent into a Web culture of postintellectualism in which electronic media are central. Wood sees postintellectualism as the fruit of deliberate counterintellectualism and distended intellectualism, the 'irresponsible, unbridled, linear extension of intellectual endeavors without consideration of ultimate consequences'....much of what he writes is important, compelling, irrefutable. Recommended for academic readers, entering students through faculty.?-Choice

"Professor Wood's book is about the kind of morality that democracy stands for, how it came to be, what the dangers are to it, and how we might proceed to preserve it. To accomplish such a task, one must have a deep understanding of history as well as a keen sense of contemporary social, technological, and political trends. This is exactly the sort of knowledge Professor Wood posseses, and there is no other phrase for what he has accomplished than tour-de-force."-from the foreword by Neil Postman Chair of the Department of Culture and Communication New York University

From the Publisher
Provocative social-cultural theory; jeremiad; prophecy of an already arrived technocratic dystopia. This book by a senior media scholar is all these. The human condition has evolved from a cyclical oral tradition to a linear culture of written intellectualism, but events of the last 35 years indicate descent into a Web culture of postintellectualism in which electronic media are central. Wood sees postintellectualism as the fruit of deliberate counterintellectualism and distended intellectualism, the 'irresponsible, unbridled, linear extension of intellectual endeavors without consideration of ultimate consequences'....much of what he writes is important, compelling, irrefutable. Recommended for academic readers, entering students through faculty.

About the Author

DONALD N. WOOD is Professor of Radio-Television-Film at California State University, Northridge. He is author of Educational Telecommunications (1977), Mass Media and the Individual (1983), Designing the Effective Message (1989), and co-author of Television Productions: Disciplines and Techniques (1978, and Sixth ed. 1995).

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7 of 13 people found the following review helpful.
Yes, a big disappointment
By Dane S. Claussen
This book proposes that "Intellectualism" was the cause and effect of the "Enlightenment," but that it has been replaced by "post-intellectualism." Wood defines intellectualism as consisting of a search for knowledge, critical thinking, social criticism, and broad liberal arts, all of which he said have been replaced by ignorance, "dumbth" (a decline in analytic thinking), establishmentism (reluc-tance to change the status quo), and specialization, respectively. Wood, who refers to Richard Hofstadter (author of the Pulitzer Prize-winning Anti-intellectualism in American Life) only once, believes that "post-intellectualism" started with the dilution of universal education in the 1870s (that at a time when only about 2 percent of the population had a high school diploma!), and continued with the 1890s labor movement, the burgeoning popularity of movies and television (in fact, a major reason for Wood's "post-intellectualism" was the replacement of the "Written Word" by the "Electric Media"), and the growing role of government during the twentieth century.
Wood's book is not a worthy successor to Hofstadter. Although he can point to hundreds of phenomena that he claims are post-intellectual, or at least along the trajectory from intellectualism to post-intellectualism, Wood fails to provide a convincing body of evidence for most of his specific charges. Against mass media, he makes a laundry list of such plausible but unproven accusations: artistic exploitation; corruption by commercial support and special interests; being wracked by mergers; a lack of substantive content; the construction of [unrealistic] "reality"; damage to democracy; the promotion of escapism; the propping up of elites; invasions of privacy; an overemphasis on, or promotion of, violence; and being partially responsible for copycat crimes, suicides, aggressive behavior, desensitization, "mean world syndrome," and "narcotizing dysfunction.") I don't doubt that these are effects of mass media, at least among some people, some of the time, but Wood writes as if they all have been proven beyond a shadow of a doubt, and he provides anecdotal evidence, if that, about such effects.
Most importantly, however, his cause-effect relationship between an "intellectual" world and a "post-intellectual" world is ultimately not clearly supported, nor is the unavoidable implication that the United States was once an "intellectual" country.

9 of 17 people found the following review helpful.
deeply flawed--big dissapointment.
By John Ronald
This book comes with a forward by Neil Postman, who is an excellent, sensitive, and insightful author. Sadly, Wood himself just doesn't measure up to the greatness of Neil Postman. The academic or lay reader would do much better in picking up Postman's own _Technopoly_ and going from there. Finding references in the index to Michael Novak and Peggy Noonan, my initial enthusiasm for the book dropped like a rock. Although he raises a few good points here and there, there are other authors who raise them more coherently and are more free of .... Neil Postman once advocated that critical readers learn to develop an internal "... detector" when they read. Well, my ... detector was going off left and right as I plowed through Wood's text, I'm sad to say. Some authors I'd recommend INSTEAD of Wood include historian David F. Noble, Richard A. Brosio, Noam Chomsky, Kirkpatrick Sale, and especially Theodore Roszack's _The Cult of Information_ which is almost on the same par with Postman's outstanding best work,_Technopoly_.
There is a knee-jerk resistance to socialist, left-progressive critiques and insights about political economy all through out this book, and it maintains what seems to me a shockingly naive & plucky "Libertarian" (e.g. in the political party sense rather than philosophical sense) tone all throughout that is extremely grating. Some of Wood's "suggestions" at the end of the book are praiseworthy, but many of them are completely undermined by some of the other suggestions raised by Wood (a chronic problem of many liberals, which is why I opt for left-radicalism personally). Still other suggestions made by Wood are just plain awful or stupid or both. Wood either has no comprehension of the real nature of power or is very self-deluded about it. Much of the work reads not unlike Walter Lippman from the 1920s, and it's hard to say, reading some passages, if Wood really believes in democracy at all; His mood displays an overall defeatist outlook than one of real moral outrage...there is even a hint of smug elitism in parts of the text. All in all, this is a well meaning but very muddled book and will confuse the lay reader more than help him/her. It's mostly a waste of time. Other authors have said the best of what Wood has to say much better than he.
To be fair, the text IS somewhat dated, too, so Wood's gushing on about "telecommuting" and "distance ed" sound REALLY naive in today's world. These early "promises" of the early 1990s have borne mixed and often rotten fruit in our day. Read David F. Noble's _Digital Diploma Mills_ (2002) for contrast and see what I mean.

2 of 2 people found the following review helpful.
another side of technology
By John A. Leraas
Changes in a society of the magnitude of the change computer technology has brought to the world are invariably associated with vast shifts in how that society works.
Mr. Woods has done a brilliant job of explaining how the shift in the way we communicate drives shifts in the we think, function, communicate, desire and have our being.
Nicely done.
John A. Leraas, M.D.

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[G532.Ebook] PDF Download Maze of Souls (Ellie Jordan, Ghost Trapper Book 6), by JL Bryan

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Maze of Souls (Ellie Jordan, Ghost Trapper Book 6), by JL Bryan

Maze of Souls (Ellie Jordan, Ghost Trapper Book 6), by JL Bryan



Maze of Souls (Ellie Jordan, Ghost Trapper Book 6), by JL Bryan

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Maze of Souls (Ellie Jordan, Ghost Trapper Book 6), by JL Bryan

It's October, and down at newly opened Pine Hollow Farm, the ghosts are running wild!. This “genuine” old-time family farm offers a big heap of fun fall activities. You can drink cider fresh from the orchard, enter a pumpkin-carving contest, and explore the five-acre corn maze. At night, if you aren't too scared, join the haunted hayride through the woods, featuring a genuine eighteenth-century cemetery. According to local legend, the ghost of a horseman has ridden the old dirt road through the woods for nearly two centuries, menacing travelers. Hayriders beware!

Then the real ghosts start to come out, threatening visitors to the farm and the family who live there. Paranormal detective Ellie Jordan travels out to the remote farm to root out the dangerous spirits. Ellie and her assistant Stacey must move fast, because the night is coming when all ghosts will be at full strength and free to roam—the night of Halloween.

  • Sales Rank: #20639 in eBooks
  • Published on: 2016-02-24
  • Released on: 2016-02-24
  • Format: Kindle eBook

Most helpful customer reviews

4 of 4 people found the following review helpful.
Better Than Book Five
By D A Bale
I just saw the book was available last night, bought it, and stayed up half the night reading it. One thing I like about this series is that they are not so short you feel ripped off, and yet they are long enough to give you a good flavor of the story and the characters within the situation they find themselves. They can easily be read in a handful of hours or less - and I enjoyed this one better than book 5, though still not as much as the earlier novels.

Ellie continues to wrestle with fevered dreams of Anton Clay, the pyromaniac spirit who killed her parents when she was younger, and he will never stop until he has Ellie too. Working to trap or chase off other ghosts helps to keep her mind off of this one particular ghost. But work also has complications of its own when Calvin, her boss, tells her the sale of the business to a paranormal investigating conglomerate is a go. Now her surrogate father is moving far away, and Ellie feels as if she's being fed to the wolves.

Thank God she still has sidekicks in Stacey, her technical assistant, Jacob, their accountant psychic, and Michael, her firefighter boyfriend. But in this segment, many of the relationships are about to change.

About an hour from Savannah, a family farm near a small town has seen the ghostly activity pick up when they decide to try to make the inherited farm profitable by hosting a Halloween oriented pumpkin patch, corn maze, and haunted woods, turning the once sleepy property into the latest in agri-entertainment. But the ghosts are not happy about the hundreds of roaming strangers or the family occupying the farmstead and interrupting their nocturnal activities - and things become so dangerous the family has to close up shop. Ellie, Stacey and Jacob definitely have their hands full with this one, and with so many ancient ghosts Ellie begins to wonder if this will be a haunting the spirits will win.

Like I said, I enjoyed this story more than the last one because we once again were brought back to Ellie's personal struggles with the mystery surrounding the loss of her parents, the ghost of Anton Clay, and the question of what will happen to her now that Calvin has made the sale of his business official. We are nicely led along as the mystery unfolds by showing the reader instead of resorting to too much telling.

However, to a weirdo like me who reads too much and who knows too many things about history, the mystery was very easy to deduce. And the other situation (sorry, can't say anymore without giving something away) was so obvious from the start that I couldn't believe Ellie or Jacob didn't pick up on it at all, what with Jacob being psychic. In other words, there was little here that didn't turn out as expected. But I still enjoyed the story and was rather freaked out by how a couple of things were portrayed. Shiver me timbers!

There was also a sense that this story was rushed without fully fleshing out some of the characters (particularly the family and that whole dynamic) as in previous books, situations that weren't adequately investigated, etc. But the biggest issue I had with this novel is that editing appears to have been quite rushed. I was very surprised at some of the more basic mistakes such as words missing, transposed, or the wrong word used (like bad instead of bed for one). There were also two very glaring continuity issues that stuck out. On one page, we're told Ellie heard back from Grant and that the property was too far away to be part of the Savannah area historical records. But then a few page turns later, Ellie is still waiting to hear back from Grant. Then toward the end, Calvin is driving his specially rigged truck and the next page Ellie is turning the corner and is now driving. Easy fixes, but not up to the standards previously set by this series, and that is the only reason I bring them up.

Did I like this story better than the last one? Yes. As much of the first four? No. Do I wish some of the characters and situations were a little better fleshed out? Yes. But did I enjoy reading the story and getting another little taste of history? Yes. And for that I give this sixth novel in the Ellie Jordan series four stars.

1 of 1 people found the following review helpful.
Perfect Halloween read...but don't let that stop you from reading it now! Just read it!!
By Mandy @ I Read Indie
Venturing out into the country and away from Savannah, Ellie and Stacy must work to figure out who and what is haunting a family farm. With little information to go on, this may very well be one of their hardest cases to solve since we’ve starting following them. So pull out your thermal goggles and tactical flashlight and get ready for one heck of a spooky ride!

Halloween is one of my favorite holidays. I love everything about it: the pumpkins, the decorations, the spooky feelings it invokes. I cannot get enough. So when I read the blurb for this one I was all in. Of course I would have been all in anyhow. I have loved following this series as it has grew to 6 books so far. 6 books!!! And by the looks of it, Bryan doesn’t seem too eager to shut it down any time soon. (Woohoo!!)

With each book the stories stay fresh and unique. I am in actual awe that Bryan writes them so well and spits them out so quickly. I look forward to each and every one. And towards the end of each book, I sometimes find myself slowing down so not to reach the end too soon. I hate to see them come to a close but I am always happy when I know there is another one soon to follow close behind.

I am absolutely diggin' where Bryan is going with this series. Not that I have any idea where but you can tell there is an urgency-like the books are preparing us for something huge. I, for one, cannot wait. I love the creepy, tingly feelings I get from these books... and MAZE OF SOULS was probably one of favorites of the series. 5 Creeptastic Stars!

1 of 1 people found the following review helpful.
A Reading the Paranormal Review
By Kelly Rubidoux
Things don't look all the rosy for Ellie at the end of this book and I'm anxious to see how she deals with them. Because, you know, Ellie's strong and she bounces back from some pretty wicked supernatural happenings, but she had THINGS she needs to deal with. She's good at rolling with the punches and all that, but she's also on the verge of some big changes and that might throw her for a loop.

(If I use "things" one more time, feel free to punch me in the face. I'll probably deserve it.)

So. I liked this one. It advanced the overall arc nicely AND gave us some creepy, crawly ghosties Ellie needed to smite. Or whatever it is she does. As I've some to expect from these books, Ellie does her research to hunt down who's causing all the shenanigans and then steps in to take care of business. Sometimes she does it the other way around and it doesn't end as well for her. To be fair, sometimes there isn't a lot of information to be found and she has to wing it.

Man, this is turning into a metaphor for my life, isn't it?

Anyway. Ellie and crew are dealing with a pretty messy one this time around (bloody lady crawling up the stair. YESSSSS!) and they rise to the occasion. As ghost trappers often must do. *slow thumbs up*

-Kelly @ Reading the Paranormal

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